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Maria-Ana Tupan
Editorial
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Poetry
Friedrich Nietzsche by Aura Christi
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Critical Articles
Sachin C. Ketkar
Laughing Skeletons and Aging Metaphors:Theorizing the Modernist Avant-Garde in Marathi
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Nisarga Bhattacharjee
Modernism, Personal Myths and the Condition for Poetry
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Bipin Balachandran
Historicizing Subjectivity in Modernism: Indian and Polish Contexts
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Rindon Kundu & Saswati Saha
Rubén Dario’s Modernismo: Modernism away from Europe
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Sonia Elvireanu
Literary Modernism and its Avatars
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Ayendy Bonifacio
The “Magnificent Failure” of Hart Crane’s Poetics: Reinventing Crane’s “To Brooklyn Bridge”
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Ananya Chatterjee
Death Matrix, Thanatopolitics and Gendered Expressions of ‘Death’ in J. M.Synge’s Riders to the Sea
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Sumi Bora
Is the Author Dead? Juxtaposing the Poet and the Person to Understand T.S. Eliot, a Notable Modernist
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Susan Haris
“Like a Marigold”: Representation and Removal in St Mawr
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Lava Asaad
Phenomenological Analysis of Private Places in Modernism: Jean Rhys’s Good Morning, Midnight
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Anindita Mukherjee
Between Love meant and Love Lost’: The Plausible Love Song of Prufrock’s Impossible Love
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Shweta Basu
Flowers of Evil to Aku no Hana: Baudelaire’s Transculturation Across Space and Time
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Case Studies: Flann O’Brien on the Threshold Between Modernism and Postmodernism
Based on papers read to a panel of the “Acting Out: IV International Flann O’Brien Conference”, Salzburg, 17-21 July, 2017
Maria-Ana Tupan
Identity Crisis and Performance of Otherness in Late Modernism
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Corina David
O’Brien, Pirandello and the Abyss of Subjectivity in Modernism
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Corina Mitrulescu
The Policeman Masked and Dumb: A Foucaultian Reading of The Third Policeman
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