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Volume 2, Number 2, 2016

Editorial

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Critical Articles
Rajina Banuand & S. Subbiah
Classical Theories of Drama – A Comparative Critique
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Dina Nabil Abdel-Rahman Ibrahim
“Falstaff”… A Critic for All Seasons
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Seema S.R
Re-reading William Shakespeare’s A Midsummer Night’s Dream: An Ecocritical Analysis
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KBS Krishna
The Divine Right of Caliban: The Implicit Warning in Shakespeare’s The Tempest
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Shaweta Nanda
Remapping Territories: The Revolution Controversy and Godwin’s Enquiry Concerning Political Justice
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Jeff LeJeune
Helping Hand: Two Parallel Scenes that Represent Jane and Rochester’s Destiny
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Subrata Biswas
Chronic Suicide and Parasuicide in Dostoevsky’s Idiot
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Roshan Lal Sharma
Walt Whitman and Sufism
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Shambhobi Ghosh
Reading Oscar Wilde’s The Picture of Dorian Gray in Relation to Michel Foucault’s Theory on Sexuality
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Nabanita Paul
“To a new land we have come”: Colonial Adventure of the Prince and the Merchant in Tagore’s The Land of Cards
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Andrew D. Schenck
She’s No Wordsworth: Examining the Divine in the Works of Flannery O’Connor
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Godhuli Goswami
The Postcoloniality of Being: Understanding the Mimic and the Diasporic Identity in Naipaul’s “B. Wordsworth”
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Huma Yaqub
Deconstructing Femininity and Interrogating Male Hegemony: Ismat Chughtai’s Terhi Lakir
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Leena Pundir
Psychic Assimilation in Margaret Atwood’s Surfacing
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Punyashree Panda
In Search of Self: the Pangs of Identity in Salman Rushdie’s Midnight’s Children
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Girija Suri
Aijaz Ahmad and Narrativizing Indian Literary Cultures
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Anand Mahanand
Lo(k)calizing the Epic: Integration of the Folk As a Device in Sarala’s Mahabharata
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Suraj Gunwant & Rashmi Gaur
Some Notes towards Postmodern Masculine Subjectivities
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Sumi Bora
Does Canon hinder Reading Habit?: An Analysis
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Closet Classic
Balwant Bhaneja
Joseph Anton: An Essential Companion to Understanding Rushdie
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Book Reviews
Ayusman Chakraborty
Looking Back in Nostalgia: Review of I. H-Shihan’s Anglo-Indian Fiction: A Brief Outline
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Sapna Dogra
A Review of Shweta Mishra’s What is a Woman: This is Trash. Leave It
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Poetry
“Mrs. Bennet” by Priyanka Ruth Prim
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